Post by Ben on Dec 3, 2009 12:43:55 GMT -7
Despite crushing loneliness and a complete lack of satisfying social interactions, working nights is not without its advantages. It affords me plenty of time to stare into space, with ample time left over to keep my international film-viewing resumé up to date.
The most recent addition to the laughably voluminous list is a Swedish film called Låt Den Rätte Komma In (Let The Right One In.) In the loosest sense, Let The Right One In is a vampire movie. Which is to say, there's a vampire in it. It could just as easily be described as a movie about friendship, revenge, or loyalty. This complexity is what makes the film so excellent. A conspicuous dedication to character gives the filmmakers the ability to innovate within a seemingly drained genre. It differs from clichéd portrayals in important and unique ways, but manages to create an experience that is both familiar and refreshing.
The story follows Oscar, a lonely outcast who struggles with a fractured family, physical weakness, and constant torment from school bullies. One evening Oscar meets Eli, a strange little gal who, by her very nature, relates to Oscar's isolation. Slowly but surely, the pair become friends, with Oscar providing the affection and understanding that Eli craves, and receiving Eli's wisdom and protection in return. The relationship is quiet and haltingly sweet. Even as Eli's nature becomes apparent and the blood begins to flow - in great supply - the interactions retain an affecting innocence.
The film keeps its characters in sight from the first frame to the impressive conclusion, a feat essentially unmatched by American equivalents.
The characters are certainly at the heart of the film, but the entire production is a joy to behold. It has one of the most beautiful opening shots I've seen in years, and in true Scandinavian fashion, the quality of cinematography is marvelous throughout. The stark Swedish landscape is a perfect backdrop, used skillfully to emphasize Oscar and Eli's seclusion. The special effects are tastefully minimal, often chilling but never distracting. Best of all, nobody sparkles.
By stripping itself of the fatigued trappings so often seen in vampire cinema and literature, Let The Right One In succeeds in new and exciting ways. True film lovers really couldn't ask for a better gift for the Holiday season. Do yourself a favor and get cozy with these Swedes.
They may not be able to defend you from H1N1, but they should help dispel the the worst symptoms of New Moon Fever. Team Eli 4EVR.
The most recent addition to the laughably voluminous list is a Swedish film called Låt Den Rätte Komma In (Let The Right One In.) In the loosest sense, Let The Right One In is a vampire movie. Which is to say, there's a vampire in it. It could just as easily be described as a movie about friendship, revenge, or loyalty. This complexity is what makes the film so excellent. A conspicuous dedication to character gives the filmmakers the ability to innovate within a seemingly drained genre. It differs from clichéd portrayals in important and unique ways, but manages to create an experience that is both familiar and refreshing.
The story follows Oscar, a lonely outcast who struggles with a fractured family, physical weakness, and constant torment from school bullies. One evening Oscar meets Eli, a strange little gal who, by her very nature, relates to Oscar's isolation. Slowly but surely, the pair become friends, with Oscar providing the affection and understanding that Eli craves, and receiving Eli's wisdom and protection in return. The relationship is quiet and haltingly sweet. Even as Eli's nature becomes apparent and the blood begins to flow - in great supply - the interactions retain an affecting innocence.
The film keeps its characters in sight from the first frame to the impressive conclusion, a feat essentially unmatched by American equivalents.
The characters are certainly at the heart of the film, but the entire production is a joy to behold. It has one of the most beautiful opening shots I've seen in years, and in true Scandinavian fashion, the quality of cinematography is marvelous throughout. The stark Swedish landscape is a perfect backdrop, used skillfully to emphasize Oscar and Eli's seclusion. The special effects are tastefully minimal, often chilling but never distracting. Best of all, nobody sparkles.
By stripping itself of the fatigued trappings so often seen in vampire cinema and literature, Let The Right One In succeeds in new and exciting ways. True film lovers really couldn't ask for a better gift for the Holiday season. Do yourself a favor and get cozy with these Swedes.
They may not be able to defend you from H1N1, but they should help dispel the the worst symptoms of New Moon Fever. Team Eli 4EVR.